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Klara and the Sun: Book Review

Back Cover Blurb from Klara and the Sun by Kazau Ishiguru:

Here is the story of Klara, an Artificial Friend with outstanding observational qualities, who, from her place in the store, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her. Klara and the Sun is a thrilling book that offers a look at our changing world through the eyes of an unforgettable narrator, and one that explores the fundamental question: What does it mean to love?

“As I say, these were helpful lessons for me. Not only had I learnt that changes were a part of Josie, and that I should be ready to accommodate them, I’d begun to understand also, that this wasn’t a trait peculiar just to Josie, that people often felt the need to prepare a side of themselves to display to passersby – as they might in a store window, and that such display needn’t be taken so seriously once the moment had passed.”

― Kazuo Ishiguro, Klara and the Sun

from Goodreads

I was so excited about this book. Perhaps that’s where things went wrong.

I found the title by way of someone on social media that I typically enjoy on her list of favorite books of the year. I was pleasantly surprised to find that it was a story with artificial intelligence as a central theme written by a Nobel prize winner. I have been reading about artificial intelligence, both as non-fiction and fiction as a theme over the past year.

This is a blog post exploring what did not work for me about this book.

I enjoyed the beginning of this book. I liked the blank slate of the totally new, fresh out of the box Artificial Friend (AF), Klara.

At some point, I had to check what age this book was written for, because Klara continues to act so child-like and naive that I though it might be a young adult book. To me, it actually has more potential as a YA book. It could be a tale for kids coming of age as AI does, about how to think about themselves, humanity, and artificial intelligence. But it did not go in that direction at all.

There is a weird and disturbing subplot about the mom asking Klara to mimic Josie’s disabilities so that the mom can have a copy of her if she dies. This could be interesting, if it were written differently, but it is not to me. In another execution it could be an inquiry into what it means to be a shadow or an echo of a human you love, rather than simple mimicry; or a better window into how humans think of each other and handle, or don’t handle, loss. I found the current execution narcissistic, weird, and cruel. How dare my sick child inconvenience me on my day off? I will just take this robot when I want to go to some waterfall that means something to both of us! If this is what it means to love, I am depressed. Josie is going to need some serious therapy.

Then, there is a weird mix on the technology side between including references to it, like Klara describing her vision in boxes, and not considering it at all, like no mention or though of feeding back into or advancing the other AI algorithms based on Klara’s learning. So many human hours of coding, annotating speech, image processing, robotics for walking, have gone into bringing us to the precipice of benefitting from AF. We are going to live with an instance for years and not feed any of that learning or data back into the model? Now that sounds wasteful and naive.

So it makes sense to me, or I interpret the book as, Klara is solar powered and therefore obsessed with her power source. That sort of insight is kind of fun. What will AI “worry” about when their worries are separated from those of humans? I originally guessed they would be hungry for data, but power makes sense too. Power always makes sense as a thing sentient beings might want. Then Klara, the AF, starts praying to the Sun.

This, to me, is the opposite of what a good book about what a book about how artificial intelligence plays out in our live might look like. That the Sun would be Klara’s higher power makes sense. I understand that AI is our creation and picks up our biases. Yet, the idea that an AI would pray, much less on behalf of a human, was the final detail that did not work for me. It might be a personal Uncanny Valley or the wrong personification of a machine for me.

I read the Wikipedia plot summary, and I liked where things were headed even less than what I had read so far, so I quit reading. I was so disappointed on a number of levels.

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Favorite Fiction read in 2021

A mix of science and science fiction reading teach me about the world and help me imagine what’s possible. While that doesn’t cover all the material I read this year, it certainly summarizes my favorites. Im breaking this up into fiction and non-fiction, listed in the order I read them. My family teased me about picking 4 books, but that means that it was a top 10% book, and I like that I had to restrict myself to the best of what I read.

Light Brigade by Kameron Hurley

This is the year that I fell in long-distance love with Kameron Hurley, a sci-fi writer about my age based out of Dayton, Ohio. To be fair, I also found Ohio to be a surreal place to live 😉 If you have not read her “We have always fought” essay, you should now. Point is, she is all about bad ass warriors that happen to be female, and that is a theme in the Light Brigade, although that might be a bit of a spoiler because the main character, Dietz, does not use pronouns until the end of the book. I have loved time-travel science fiction since I came unstuck in time with Kurt Vonnegut in Slaughterhouse-Five in high school. Hurley delivers a fresh and also timeless take on a timeline that skips around as a way of experiencing war.

“Imagine us all standing in a circle, trying to describe an object to one another, and as we agree on its characteristics, the thing at the center of our circle begins to take form. That’s how we create reality. We agree on its rules. Its shape.”
― Kameron Hurley, The Light Brigade

Kindred by Octavia Butler

Staying with the time-travel theme, I also read Kindred. It was my first Octavia Butler work, and I read it and the Parable series in one gulp. In 2021, I heard about a lot of white people reading as one way to try to understand race and diversity, and also heard some skepticism about this practice. In contrast to the modern tomes, this book is about as old as I am. I did not come to this book to add some diversity to my reading list, but it did open my mind to how much modern black women still might have to contend with the ghosts of generations past. I had the distinct impression that she was writing to understand who she was and how she got here for herself as much as for educating anyone else. As it should be.

“Sometimes I wrote things because I couldn’t say them, couldn’t sort out my feelings about them, couldn’t keep them bottled inside me.”

― Octavia E. Butler, Kindred

State of Terror by Hillary Rodham Clinton & Louise Penny

This book was a fun thriller read. While the plot and details were all clearly fiction, there were some nods to reality- serving a Secretary of State under a former political rival, the continuous onslaught of underestimation that middle age women face, entanglement between press and political players, and how down right creepy intimate gifts like *your* perfume or *your* favorite flowers can be when they come from a stalker/ rival. It demonstrates how Americans have a complex and evolving relationship with the rest of the world. Parts of it seem tongue in cheek in that it pokes fun at its role as propaganda. I grew up in the 80’s and 90’s and loved Top Gun, so maybe I’m a sucker for some types of propaganda entertainment.

“The propogandist is his own first customer.”
― Hillary Rodham Clinton, State of Terror

Origin by Dan Brown

Artificial intelligence was a reading theme for me this year, both in science and fiction. I read the Asimov classic I, Robot, which was fantastic, foundational and dripping with sexism. Lots of the non-fiction I read in this field was oddly dystopian considering my 10 year old tries to ask Alexa how she should do her hair. Origin struck the right balance for me between dystopian and something I want. Plus it is a fast paced romp through Spain, which I love. I hope the future is as fun as is it scary and weird. I love seeing what humans can create and how they live with the web of actions and consequences.

“We are now perched on a strange cusp of history, a time when the world feels like it’s been turned upside down, and nothing is quite as we imagined. But uncertainty is always a precursor to sweeping change; transformation is always preceded by upheaval and fear. I urge you to place your faith in the human capacity for creativity and love, because these two forces, when combined, possess the power to illuminate any darkness.”
― Dan Brown, Origin